20 September 2002
This week's update is full of front-of-the-crate
releases, but first, here are some of the highlights:
CRUDE REALITY "Stay Or Leave" (Original
and Francois K & Rob Rives Mxs) Arthrob [House,
Tech-house] As truly one of the elder statesmen
of the scene, Wave Records main man Francois Kevorkian
has been making hits and breaking remixes before
most of us were even born, and needless to say,
his dossier reads like the Holy Bible of dance music
since the late 70s. With his finger on the
pulse and with studio man Rob Rives (Floppy Sounds)
by his side, they turn out a mix that is so genre-crossing
it's amazing how effortless it comes off. Starting
off with minimal Chain Reaction-style key stabs,
the atmosphere slowly builds up with tougher percussion,
swirling synths, random FX, distorted vocals, and
a bassline that Rob seems to have been saving for
a special occasion. On the flip, the Crude Reality
mix is a chugging atmospheric houser, with a grooving
bassline, shuffling percussion, and ethereal female
vox that could very well be a staple in Tom Middleton's
box.
http://www.arthrob.co.uk
http://www.wavemusic.com
UNDERWORLD "A Hundred Days Off" LP
JBO [House, Tech-house, Progressive] Formerly
known as Freur, Underworld embarked upon their sixth
album sans member Darren Emerson, who had joined
the group after 1988's Underneath The Radar
and radically redirected the band's sound. When
I first received a copy of A Hundred Days Off
some months back, I found myself pressing play with
some reservation. With such undeniable albums as
Dubnobasswithmyheadman and Second Toughest
In The Infants under their collective belt,
Underworld seemed to have set a standard for themselves
that seemed difficult to surpass, and to an outside
observer, the formula seemed somewhat reliant on
Emerson's presence in the studio. My first listen
was tentative, but slowly the subtle glimmers of
greatness came flooding out of the speakers. Karl
Hyde and Rick Smith have dished out a range of tracks
from the sure-fire club favorites of "Mo Move"
and "Two Months Off," to the narcotic
downbeat grooves of "Sola Sistim" and
to the quirky dancefloor stylings of "Little
Speaker" and "Luetin. So after the
hundredth listening, A Hundred Days Off is
more than ever a cohesive whole that spans tempos
and genres, all while dutifully maintaining Underworld's
time tested aesthetics.
http://www.dirty.org
http:/www.tomato.co.uk
DEEP BLUE "The Helicopter Tune" (Rob
Playford & Rennie Pilgrem Rmxs) Moving Shadow
[Breaks] Without a doubt, "The Helicopter
Tune" is one of the most classic
drum & bass tunes of all time. Having received
a slew of remixes around the time of the original
release, the tune saw its fair share of space in
record boxes around the world, but apparently Moving
Shadow label honcho Rob Playford decided that it
was high time to give it the re-rub. After producing
and/or co-producing the first few seminal releases
on Moving Shadow, and after an extended stint as
Goldie's engineer, during which time he produced
the aptly titled Timeless album, Playford
is decidedly no stranger to the studio. Even with
such high credentials, Rennie Pilgrem was brought
in on additional remix duty, and together the two
have given the tune new life and have brought it
to a new audience. Playford and Pilgrem's collaborative
remix is slightly more true to form of the original,
with prominent use of the unmistakable helicopter
break, warm pad washes, and a rolling subterranean
bass groove. To use the word lethal would be a spot-on
description. On the flip, Pilgrem's tribal mix sets
its sights squarely on the dancefloor, with its
pulsing modal bass melody, hypnotic drum programming,
a subdued acidic groove, and dubbed out FX. Wicked
business!
http://www.movingshadow.com
http://tcr.uk.com/
New releases and remixes in this week come by Neon
Heights, Joshua, Stargazer, Neon Lights, East Coast
Boogiemen, Triangle Orchestra, Lance DeSardi, CPEN,
Miguel Migs, 4:20, Rob Mello, Chris Lum, Nova Scotia,
David Duriez, and Smithmonger to name a few.
Restocks in this week come in the form of Metro
Area #1 on Environ, Chris Lum's "Bigger Tool
EP" on Tango, Miguel Migs "Steppin' Up"
on Yoshitoshi, Lo-Motion's Field Day project on
Drop, and the much sought after Haris & Dedan
"Elektro Oro" 12-inch on Laus.
Also, check the assorted mix CDs that we've just
posted, with the standout being a brand new Jeno
CD titled Midnight Sun. It hasn't left the
store's CD player since we got it!
So until next week, be good!
(Justin Corbett)
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